guglielmo amy the met claude monet he saw the world in brilliant light
Guglielmo Amy The Met Claude Monet. He Saw the World in Brilliant Light
See the world through Claude Monet's' eyes and be inspired to produce your own masterpieces. Have you ever wondered exactly what your favourite artists were looking at to make them draw, sculpt, or paint the way they did? In this charming illustrated series of books to keep and collect, created in full collaboration with The Metropolitan Museum of Art, you can see what they saw, and be inspired to create your own artworks, too. In What the Artist Saw: Claude Monet, meet the famous French painter. Step into his life and learn how he pioneered the Impressionist movement. Learn all about his love of nature and how he was inspired to paint light, water, and waterlilies. Have a go at producing your own art inspired by what you find most beautiful about nature! In this series, follow the artists' stories and find intriguing facts about their environments and key masterpieces. Then see what you can see and make your own art. Take a closer look at landscapes, or even yourself, with Vincent van Gogh. Try crafting a story in fabric like Faith Ringgold, or carve a woodblock print at home with Hokusai. Every book in this series is one to treasure and keep - perfect for budding young artists to explore exhibitions with, then continue their own artistic journeys.
1999 Р.
Wildenstein Daniel Monet or The Triumph of Impressionism
Master of the sublime The essential Impressionist "This is the work on Monet; anything published before or after it will seem minor in comparison [...]. It is the only readily available publication that gives a complete record of Monet's work - in other words, it is definitive." -The Good Book Guide, London Along with Turner, no artist has sought more than Claude Monet (1840-1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cezanne called "only an eye, but my God what an eye!" who stayed completely true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of colour, and whether it was through his early interest in Japanese prints, his time in the dazzling light of Algeria as a conscript, or his personal acquaintance with the major painters of the late 1800s, what Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations were the late series of waterlilies, painted in his own garden at Giverny, that, in their moves towards almost total formlessness, are really the origin of abstract art. This biography does full justice to this most remarkable and profoundly influential of artists, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary. The author: Daniel Wildenstein (1917-2001) was an art historian and member of the Academie des Beaux-Arts (Paris). From 1939 onwards, he was Director of the Wildenstein Galleries of New York, London and Tokyo. He edited several international journals, e.g. the magazine Arts from 1956-1962 and the Gazette des Beaux-Arts after 1963. He co-founded the Fondation Wildenstein in 1970 (it was renamed the WildensteinInstitute in 1984), and was a prime mover in many exhibitions of international repute. Daniel Wildenstein also edited the catalogues raisonnes of various 18th, 19th and 20th century artists. He was a world authority on Impressionism, and published catalogues of the works of Gauguin, Manet and Monet.
3036 Р.
Dooley Jenny Orpheus Descending
When Orpheus looked inside, he saw that he was standing in front of a river with fire burning on its surface. There was an old man there with wild white hair, standing next to a boat. He was looking down at the water, and Orpheus thought he saw the reflection of the fire in the man's eyes, but when the man turned to look at him Orpheus saw that his eyes were made of fire. Finally, he had met Charon the Ferryman. "No money was put upon your lips on the day you were buried, so I will not take you across the River Styx." "But I did not die. I only came here to talk to Pluton and Persephone. I want to ..."
441 Р.
Heinrich C. Claude Monet
Hailed the "Prince of the Impressionists", Claude Monet (1840-1926) transformed expectations for the purpose of paint on canvas. Defying the precedent of centuries, Monet did not seek to render only reality, but the act of perception itself. Working "en plein air" with rapid, impetuous brush strokes, he interrogated the play of light on the hues, patterns, and contours and the way in which these visual impressions fall upon the eye.Monet's interest in this space "between the motif and the artist" encompassed too the ephemeral nature of each image we see. In his beloved water lily series, as well as in paintings of poplars, grain stacks, and the Rouen cathedral, he returned to the same motif in different seasons, different weather conditions, and at different times of the day, to explore the constant mutability of our visual environment.This book offers the essential introduction to an artist whose works simultaneously reflected upon the purpose of a picture and the passage of time, and in so doing transformed irrevocably the story of art.
3149 Р.
Heinrich Christoph Claude Monet
Hailed the "Prince of the Impressionists", Claude Monet (1840-1926) transformed expectations for the purpose of paint on canvas. Defying the precedent of centuries, Monet did not seek to render only reality, but the act of perception itself. Working "en plein air" with rapid, impetuous brush strokes, he interrogated the play of light on the hues, patterns, and contours and the way in which these visual impressions fall upon the eye. Monet's interest in this space "between the motif and the artist" encompassed too the ephemeral nature of each image we see. In his beloved water lily series, as well as in paintings of poplars, grain stacks, and the Rouen cathedral, he returned to the same motif in different seasons, different weather conditions, and at different times of the day, to explore the constant mutability of our visual environment. This book offers the essential introduction to an artist whose works simultaneously reflected upon the purpose of a picture and the passage of time, and in so doing transformed irrevocably the story of art.
3240 Р.
Heinrich C. Claude Monet
Hailed the "Prince of the Impressionists", Claude Monet (1840-1926) transformed expectations for the purpose of paint on canvas. Defying the precedent of centuries, Monet did not seek to render only reality, but the act of perception itself. Working "en plein air" with rapid, impetuous brush strokes, he interrogated the play of light on the hues, patterns, and contours and the way in which these visual impressions fall upon the eye.Monet's interest in this space "between the motif and the artist" encompassed too the ephemeral nature of each image we see. In his beloved water lily series, as well as in paintings of poplars, grain stacks, and the Rouen cathedral, he returned to the same motif in different seasons, different weather conditions, and at different times of the day, to explore the constant mutability of our visual environment.This book offers the essential introduction to an artist whose works simultaneously reflected upon the purpose of a picture and the passage of time, and in so doing transformed irrevocably the story of art.
3149 Р.
Lee Maureen Mother of Pearl
Pretty Amy Curran was just eighteen years old when she met Barney Patterson, the love of her life, on Southport Pier in 1939. Their romantic, passionate marriage was made in heaven - but with the outbreak of war, Barney volunteered to fight, and the couple were separated for five long years. When he returned to Liverpool after VE Day, he wasn't the same person - and neither was Amy. How could things have become so twisted that one day Amy would kill the husband she once so adored? And what happened to their little girl, Pearl, just five years old at the time? In 1971 Amy is released from prison - although her freedom will change the lives of others, not least that of her daughter. But Pearl has her own demons to exorcise in her quest for happiness. And the greatest question she must ask herself is this: can she ever love her mother after what she did?
1849 Р.
Meagher Robert E. Albert Camus and the Human Crisis
A renowned scholar investigates the "human crisis" that Albert Camus confronted in his world and in ours, producing a brilliant study of Camus's life and influence for those readers who, in Camus's words, "cannot live without dialogue and friendship." As France-and all of the world-was emerging from the depths of World War II, Camus summed up what he saw as "the human crisis": We gasp for air among people who believe they are absolutely right, whether it be in their machines or their ideas. And for all who cannot live without dialogue and the friendship of other human beings, this silence is the end of the world. In the years after he wrote these words, until his death fourteen years later, Camus labored to address this crisis, arguing for dialogue, understanding, clarity, and truth. When he sailed to New York, in March 1946-for his first and only visit to the United States-he found an ebullient nation celebrating victory. Camus warned against the common postwar complacency that took false comfort in the fact that Hitler was dead and the Third Reich had fallen. Yes, the serpentine beast was dead, but "we know perfectly well," he argued, "that the venom is not gone, that each of us carries it in our own hearts." All around him in the postwar world, Camus saw disheartening evidence of a global community revealing a heightened indifference to a number of societal ills. It is the same indifference to human suffering that we see all around, and within ourselves, today. Camus's voice speaks like few others to the heart of an affliction that infects our country and our world, a world divided against itself. His generation called him "the conscience of Europe." That same voice speaks to us and our world today with a moral integrity and eloquence so sorely lacking in the public arena. Few authors, sixty years after their deaths, have more avid readers, across more continents, than Albert Camus. Camus has never been a trend, a fad, or just a good read. He was always and still is a companion, a guide, a challenge, and a light in darkened times. This keenly insightful story of an intellectual is an ideal volume for those readers who are first discovering Camus, as well as a penetrating exploration of the author for all those who imagine they have already plumbed Camus' depths-a supremely timely book on an author whose time has come once again.
3665 Р.
Wildenstein Daniel Monet. The Triumph of Impressionism
The essential Impressionist No other artist, apart from J. M. W. Turner, tried as hard as Claude Monet (1840–1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cezanne called “only an eye, but my God what an eye!” who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of color. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations was the late series of water lilies, painted in his own garden at Giverny, which, in their approach towards almost total formlessness, are really the origin of abstract art. This biography does full justice to this most remarkable and profoundly influential artist, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.
10501 Р.
Guglielmo Amy The Met Louise Bourgeois
See the world through Louise Bourgeois' eyes and be inspired to produce your own masterpieces. Have you ever wondered exactly what your favourite artists were looking at to make them draw, sculpt, or paint the way they did? In this charming illustrated series of books to keep and collect, created in full collaboration with The Metropolitan Museum of Art, you can see what they saw, and be inspired to create your own artworks, too. In What the Artist Saw: Louise Bourgeois, meet the famous French-American painter, printmaker and sculptor. Step into her life and learn what led her to explore her fears and emotions through her art. Learn all about her family and what inspired her to create her large spider sculptures. Have a go at producing your own art inspired by your dreams! In this series, follow the artists' stories and find intriguing facts about their environments and key masterpieces. Then see what you can see and make your own art. Take a closer look at landscapes, or even yourself, with Vincent van Gogh. Try crafting a story in fabric like Faith Ringgold, or carve a woodblock print at home with Hokusai. Every book in this series is one to treasure and keep - perfect for budding young artists to explore exhibitions with, then continue their own artistic journeys.
2153 Р.
Guglielmo Amy The Met Edgar Degas
See the world through Edgar Degas' eyes and be inspired to produce your own masterpieces. Have you ever wondered exactly what your favourite artists were looking at to make them draw, sculpt, or paint the way they did? In this charming illustrated series of books to keep and collect, created in full collaboration with The Metropolitan Museum of Art, you can see what they saw, and be inspired to create your own artworks, too. In What the Artist Saw: Edgar Degas, meet the famous French painter and sculptor. Learn all about how he broke new ground and captured the energy and elegance of skilled ballet dancers. In this series, follow the artists' stories and find intriguing facts about their environments and key masterpieces. Then see what you can see and make your own art. Take a closer look at landscapes, or even yourself, with Vincent van Gogh. Try crafting a story in fabric like Faith Ringgold, or carve a woodblock print at home with Hokusai. Every book in this series is one to treasure and keep - perfect for budding young artists to explore exhibitions with, then continue their own artistic journeys.
2153 Р.
Cronin J. The Passage
Amy Harper Bellafonte is six years old and her mother thinks she`s the most important person in the whole world. She is. Anthony Carter doesn`t think he could ever be in a worse place than Death Row. He`s wrong. FBI agent Brad Wolgast thinks something beyond imagination is coming. It is. THE PASSAGE.
1272 Р.
Cronin J. The Passage
Amy Harper Bellafonte is six years old and her mother thinks she`s the most important person in the whole world. She is. Anthony Carter doesn`t think he could ever be in a worse place than Death Row. He`s wrong. FBI agent Brad Wolgast thinks something beyond imagination is coming. It is. THE PASSAGE.
1272 Р.
Wildenstein D. Monet. The Triumph of Impressionism
No other artist, apart from J.M.W.Turner, tried as hard as Claude Monet to capture light itself on canvas. Of all the Impressionists, it was the man C?zanne called "only an eye, but my God what an eye!" who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object.It could be said that Monet reinvented the possibilities of color. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations was the late series of waterlilies, painted in his own garden at Giverny, which, in their approach toward almost total formlessness, are really the origin of abstract art.This biography does full justice to this most remarkable and profoundly influential artist, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.
9497 Р.
Вильденштейн Д. Monet. The Triumph of Impressionism
No other artist, apart from J. M. W. Turner, tried as hard as Claude Monet (1840–1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cezanne called “only an eye, but my God what an eye!” who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object.It could be said that Monet reinvented the possibilities of color. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations was the late series of water lilies, painted in his own garden at Giverny, which, in their approach toward almost total formlessness, are really the origin of abstract art.This biography does full justice to this most remarkable and profoundly influential artist, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.
2677 Р.
Wildenstein Daniel Monet or the Triumph of Impressionism
No other artist, apart from J.M.W.Turner, tried as hard as Claude Monet to capture light itself on canvas. Of all the Impressionists, it was the man C?zanne called "only an eye, but my God what an eye!" who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of color. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations was the late series of waterlilies, painted in his own garden at Giverny, which, in their approach toward almost total formlessness, are really the origin of abstract art. This biography does full justice to this most remarkable and profoundly influential artist, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.
2941 Р.