the state tretyakov gallery at krymsky val a guide to russian art of the 20th century
The State Tretyakov Gallery At Krymsky Val. A Guide to Russian Art of the 20th Century
This is the first Guide to The State Tretyakov Gallery collections of modem art. The articles written by the researchers of the Department of Modern Art contain descriptions of the most representative works by prominent masters of the 20th century and analyses of the artists' legacies in the context of contemporary art life. This book offers many discoveries because most of these art works and artists have not been thoroughly explored before. This edition is intended for a general audience.
2063 Р.
Byalik V. ABC. Russian Art from the State Tretyakov Gallery
This is the first ABC book of the Russian art from the 12th to the 20th centuries. You will find true masterpieces relating to a broad variety of genres: painting, icons, mosaic, sculpture, applied arts, all from the State Tretyakov Gallery collection.
558 Р.
Byalik V. (сост.) ABC. Russian Art from the State Tretyakov Gallery
This is the first ABC book of the Russian art from the 12th to the 20th centuries. You will find true masterpieces relating to a broad variety of genres: painting, icons, mosaic, sculpture, applied arts, all from the State Tretyakov Gallery collection.
344 Р.
Byalik V. ABC. Russian Art from the State Tretyakov Gallery
This is the first ABC book of the Russian art from the 12th to the 20th centuries. You will find true masterpieces relating to a broad variety of genres: painting, icons, mosaic, sculpture, applied arts, all from the State Tretyakov Gallery collection.
558 Р.
Byalik V. (сост.) ABC. Russian Art from the State Tretyakov Gallery
This is the first ABC book of the Russian art from the 12th to the 20th centuries. You will find true masterpieces relating to a broad variety of genres: painting, icons, mosaic, sculpture, applied arts, all from the State Tretyakov Gallery collection.
344 Р.
ABC. Russian Art from The State Tretyakov Gallery
Our publishing house presents the first ABC book of the Russian art from the 12th till the 20th centuries. You will find on these pages true masterpieces relating to a broad variety of genres: painting, icons, mosaic, sculpture, applied arts, all from the State Tretyakov Gallery collection. We are glad to offer this book to our young and adult readers along with our numerous "ABC books".
1245 Р.
Лыкова Т. (ред.) The State Tretyakov gallery. Fine arts of the 12th - early 20 th century
The State Tretyakov Gallery : Fine Arts of the 12th - Early 20th Century = Государственная Третьяковская галерея : искусство XII - начала XX века.
1899 Р.
Лыкова Т. (ред.) The State Tretyakov gallery. Fine arts of the 12th - early 20 th century
The State Tretyakov Gallery : Fine Arts of the 12th - Early 20th Century = Государственная Третьяковская галерея : искусство XII - начала XX века.
1899 Р.
Dreams of Freedom: Romanticism in Russia and Germany
Dreaming of freedom amid global revolution, war, and disestablishment, early nineteenth-century artists turned inward and found meaning. Many of these artists, stifled by reactionary push-back, fled to a burgeoning Romantic community in Italy, where their shared yearnings produced some of the greatest art of the century. Through opulent landscapes, German and Russian expatriates such as Caspar David Friedrich and Alexander Andreyevich Ivanov experimented with new forms of liberation, national identity, and religiosity. Lavishly illustrated with three hundred paintings from the State Tretyakov Gallery Moscow and the Albertinum of the State Art Collections Dresden, Dreams of Freedom showcases the remarkable fruit of this cultural encounter.
5990 Р.
Tregulova Zelfira The State Tretyakov Gallery
The State Tretyakov in Moscow is the world's foremost repository of Russian fine art. It was founded in 1856 by the influential merchant and collector Pavel Tretyakov, who presented it as a gift to the city in 1892. It is now an extensive museum complex, encompassing several buildings and containing over 130,000 exhibits, ranging from exquisite and mysterious 12th century icons to politically charged works of 20th century Soviet socialist realism. However, it remains true to its original aims of connecting the people of Russia to their cultural identity and sharing this rich heritage with the wider world. In this book, Director Zelfira Tregulova selects her personal highlights from this vast collection, providing a revealing insight into the history and meaning behind some of the world's most significant artworks.
1901 Р.
Guseva Natalya, Semyonova Tatyana Russian Eighteenth-Century Furniture in the Hermitage Collection
The collection of Russian paintings at the State Hermitage contains around 3,000 items. Over a half of them are portraits, which provide priceless iconographic material for historians. The portraits represent a wide thematic range - from images of Tsars and Grand Dukes to those of military, civil and cultural figures, members of the clergy, aristocrats, country gentlemen and merchants. The chronological scope of the collection largely lies between the 18th and the early 20th century. The portraits of this period kept at the Department of the History of Russian Culture are extremely diverse and reflect nearly all the major Russian artistic trends. The Hermitage possesses works by major Russian masters of the 19th century, as well as paintings by less well-known artists, which serve to complete the picture of Russian artistic life of the time. The permanent exhibitions "Russian Art and Culture of the First Half of the 18th Century" and "Russian Art and Culture of the Second Half of the 18th Century", housed in the halls of the Winter Palace, display the masterpieces of 18th-century art. The Hermitage collection is adequately represented by the canvases by Andrei Matveyev, Ivan Nikitin, Louis Caravaque, Ivan Vishnyakov, Ivan Argunov, Alexei Antropov, Feodor Rokotov, Dmitry Levitsky, Vladimir Borovikovsky. Many works by these masters in the Hermitage collection have become textbook examples of 18th-century Russian art.
2941 Р.
Yudenkova Tatyana The State Tretyakov Gallery
This richly illustrated edition offers a survey of the State Tretyakov Gallery collection for the general reader. The introductory article traces the history of the greatest museum of Russian art, with a focus on its founders, the Moscow merchants and collectors Pavel and Sergey Tretyakov. The album comprises the renowned national masterpieces, which mean so much to every Russian. They include "The Holy Trinity" by Andrey Rublev, "Portrait of Fiodor Dostoevsky" by Vasily Perov, "Boyarynia Morozova" by Vasiliy Surikov, "Above eternal peace" by Isaac Levitan, "Bathing the red horse" by Kuzma Petrov-Vodkin, "Black suprematist square" by Kazimir Malevich, and the other major works representing the thousand years of Russian painting, sculpture and graphic art.
4988 Р.
Гусев Владимир Александрович Русский музей: Альбом путеводитель, на английском языке
The Russian Museum was opened in 1895, by a decree of Tsar Alexander III, and as such was the first state owned museum of art in Russia. Housed in the Mikhailovsky Palace (architect C.Rossi), the Museum numbers nearly 400.000 exhibits, and has a huge range of Russian art which rival that of the Tretiakov in Moscow. The exhibits date from ancient icons to the Avant-garde school of painting of the 20th century, and include many landmarks in the history of Russian art, such as Bruillov's 'The Last Day of Pompeii', and Repin's 'The Barge Haulers'.
919 Р.
Impressionism in Russia
Explore the influence of Impressionism on Russian painters at the end of the 19th century and early 20th century. In the late 19th century, numerous Russian artists found inspiration in the style of French Impressionist painters. Often, a journey to Paris acted as a catalyst for their burgeoning interest in the movement. They developed a preference for working en plein air and aimed to capture transitory effects through a spontaneous and free handling of the brush. Many leading painters of the later Russian avant-garde arrived at their individual styles due to studying the Impressionist use of light. This lavishly illustrated volume explores the many-layered ways French Impressionism influenced the evolution of Russian art from the 1880s to the 1920s, including the work of painters as diverse as Ilya Repin, Valentin Serov, Konstantin Korovin, Natalia Goncharova, and Kazimir Malevich. Essays by many of the leading scholars in the field provide rich new insights into one of the most intriguing chapters of Russian modernism.
7069 Р.
Museum of Proletarian Culture. The Industrialization of Bohemia
Try and imagine what a museum of creativity looks like. This book tells of a challenging exhibition held in one of the major Russian museums-the Tretyakov Gallery in Moscow. Arseniy Zhilyaev created a conceptual project for an imaginary museum. The viewer sees into the future after the liberation/revolution and is confronted with a radically different outlook on the history of twentieth-century art. At the core of the exhibition, there turns out to be a complex dialectic in the relationship between museum and artist: how does an artists work come to be exhibited in a museum? When and why does an artist engage in artistic creation outside the museum walls? Is the museum the space in which a "happening" takes place? The book includes texts by Russian and foreign art critics as well as a number of previously untranslated Soviet avant-garde texts about museums and proletarian folklore. 0
759 Р.
Museum of Proletarian Culture. The Industrialization of Bohemia
Try and imagine what a museum of creativity looks like. This book tells of a challenging exhibition held in one of the major Russian museums-the Tretyakov Gallery in Moscow. Arseniy Zhilyaev created a conceptual project for an imaginary museum. The viewer sees into the future after the liberation/revolution and is confronted with a radically different outlook on the history of twentieth-century art. At the core of the exhibition, there turns out to be a complex dialectic in the relationship between museum and artist: how does an artists work come to be exhibited in a museum? When and why does an artist engage in artistic creation outside the museum walls? Is the museum the space in which a "happening" takes place? The book includes texts by Russian and foreign art critics as well as a number of previously untranslated Soviet avant-garde texts about museums and proletarian folklore. 0
759 Р.